Probably the best-known mouthpiece models from our workshop are those of the G trumpet series, which have become a standard in the Viennese orchestras. Many top musicians influenced the shape of these mouthpieces until models such as G1, G2, etc., finally achieved their typical form. In doing so, one inevitably has to ask a question:
Can a mouthpiece still be improved?
There are no good or bad mouthpieces – only suitable or unsuitable ones. Apart from cheap products intended in most cases to complement a newly purchased instrument, most mouthpieces are designed in collaboration with expert musicians who use them to realize their specific tonal concepts. The decisive factor, however, is how precisely these designs can be implemented and produced to a certain standard over the years.
Just as every country has its language and every region its peculiarities, which are reflected in the type of person, instruments and mouthpieces also have those characteristics that do justice to their mentality.
The musician should be able to choose a mouthpiece that offers them the greatest possible flexibility in achieving their timbre, style, and comfort. With our multi-part mouthpieces, we have made a significant contribution to this.
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