Tuba - A new generation

In cooperation with Jakob Wenigwieser, a fabulous new generation of Breslmair tuba mouthpieces has been developed. What distinguishes the Tuba New Generation mouthpieces? What were they developed for?

Different feel gold/silver

Every musician has his or her preference when it comes to the mouthpiece surface. But where are the big differences? What differentiates a gold-plated from a silver-plated mouthpiece rim? Karl, Lukas and Peter explain...

The engraving "Vienna

Some of you may have noticed that our mouthpieces are engraved with the word "Vienna". In this living room talk, Lukas and Karl Breslmair tell you why this is so...

The mouthpiece designation G1

The Breslmair G1 mouthpiece is widely known. But where does this name come from, and why does this mouthpiece bear this name at all? In a living room conversation, Lukas and Karl tell you how it...

The booster

[vc_row][vc_column][vc_column_text]Die Vorstufe zu unserer Mundstückserie „ecovib“ stellt der neu entwickelte Booster dar. Vibrationen am Mundstück und am Mundrohr ist verlorene Energie. Kraft, welche der Bläser in irgendeiner Form zusätzlich bereitstellen…

The tuba mouthpiece

The tuba can look back on a 150-year tradition in the Vienna orchestra. Apparently, the clocks in Viennese orchestras move differently than elsewhere, which explains why for 100 years (1845-1945) only native Germans were engaged as tuba players in the Vienna Philharmonic.

The horn mouthpiece

Horn mouthpieces have a high status in our workshop and are closely linked to personalities of the Viennese music scene. Professor Robert Freund was connected with Karl Breslmair sen. by a great friendship.

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